Professors

David Deterding

Wan Zawawi Ibrahim

Associate Professors

Ahsan Ullah

Ampuan Hj Brahim bin Ampuan Hj Tengah

Gary Jones

Hj Asbol bin Hj Mail

Khondker Iftekhar Iqbal

Noor Azam OKMB Haji-Othman

Shui Kong Ho

Senior Assistant Professors

Debbie Ho

Johannes L. Kurz

Assistant Professors

Magne Knudsen

Paul Deyuan He

Rommel Curaming

Rui Oliveira Lopes

Md Shafi Noor Islam

Senior Lecturers

Aini binti Hj Karim

Chris Woo

Hj Ramlee bin Hj Tingkong

Hjh Hairuni bte Hj Mohamed Ali Maricar

Hjh Dyg Fatimah binti Hj Awang Chuchu

James McLellan

Martie Geiger-Ho

Salbrina Hj Sharbawi

Sharifah Nurul Huda Alkaff

Yabit Alas

Lecturers

Ak Hj Ashrol Rahimy bin Pg Hj Damit

Asmali Hj Sulaiman

Daniel Wee

Dk Noor Hasharina bte Pg Haji Hassan

Ena Herni binti Wasli

Gabriel Yong

Hannah Ho Ming Yit

Hjh Asiyah Az-Zahra bte Hj Ahmad Kumpoh

Hjh Aznah binti Hj Suhaimi

Izni Azrein bin Noor Azalie

Kathrina bte DP Haji Mohd Daud

Khairunnisa Haji Ibrahim

Lalit Dagar

Low Kok Wai

Mardina binti Hj Mahadi

Maslin bin Haji Jukin/Jukim

Mohd. Zefri Ariff bin Mohd. Zain Ariff

Nani Suryani binti Hj Abu Bakar

Norzurianie Hj Kamarulzaman

Pg Hj Mohamed Pg Damit

Rinni Marliyana binti Hj Amran

Shirley Chin

Siti Mazidah binti Hj Mohamad

Assistant Lecturers

Mayyer Ling

Tutors

Exzayrani binti Awang Sulaiman

Pg Mohd Rahiman Pg Aliudin

Siti Badriyah Hj Mohd Yusof

Siti Ifwah Fauzani binti Hj Chuchu

Administrative Staff

FASS Administrative Staff

Research Students

FASS PhD Students

 

Martie Geiger-Ho

Room(s) 1.12
Phone Ext 1137
E-Mail martie.geiger@ubd.edu.bn
Website http://www.kilnlore.com

Academic Background

Fellowships

Teaching

Research Interests

Universiti Brunei Darussalam Funded Research Project

Publications

Peer-reviewed Journals

Geiger-Ho, M. (2016). Under the influence of the "Great Mother" archetype: Photographing raw clay Bruneian landscapes through an ecofeminist lens. The International Journal of the Image, 7(4), 27–34.

Geiger-Ho, M., & Ho, K. (2015, May 19). Teaching and making art, and cultural context: Kuwait and Brunei. [Review of the book Suitcase filled with nails: Lessons learned from teaching art in Kuwait, by Yvonne Wakefield]. Teaching Artist Journal, 13(3), 184–187. (PDF Link).

Geiger-Ho, M. (2014). Guardians of a shifting industry: Worshiping the kiln god, Lo Ming in Yingge. Ceramics Technical, 39, 24–27.

Geiger-Ho, M., & Ho, K. (2014). University art students undertake entrepreneurship action in Brunei Darussalam. Teaching Artist Journal, 12(3), 155–167. (PDF Version).

Geiger-Ho, M. (2013). Origins of kiln gods. Ceramics Monthly, 61(8), 26–27. (PDF Version).

Geiger-Ho, M. (2007). Playing with Fire and Kiln Gods. Ceramics Technical, 24, 98–100. (PDF Version).

Geiger-Ho, M. (2000). Guardians of Fire and Clay: The Legacy of China’s Kiln Gods. The Studio Potter, 28(2), 49–54. (PDF Version).

Books

Geiger-Ho, M. (2012). The Worship of Kiln Gods: From the Temples of China to the Studios of Western Potters, Parker, CO: Outskirts Press.

Conference Proceedings

Geiger-Ho, M. (forthcoming). Bowing to the creative industry: Making art a useful commodity. In The Asian Conference on Arts & Humanities 2017 Official Conference Proceedings. Osaka: International Academic Forum.

Geiger-Ho, M. (2016). New ceramics out of Brunei Darussalam: A teaching exhibition. In The Asian Conference on Arts & Humanities 2016 Official Conference Proceedings (pp. 419–431). Osaka: International Academic Forum.

Geiger-Ho, M. (2015). Aesthetic ecopsychology as a way towards salvation. In Global Academic Institute International Academic Conference Proceedings (pp. 111–117). Prague: Global Academic Institute. (PDF Version).

Geiger-Ho, M. (2015). Practicing ecopsychology in Brunei Darussalam: Creating clay vessels in memory of a disappearing landscape. The Asian Conference on Arts & Humanities 2015 Official Conference Proceedings (pp. 67–74). Osaka: The International Academic Forum. (PDF Version).

Geiger-Ho, M. (2014). Vessels of life and death: Heirloom jars of Borneo. Malaysia – Brunei Forum Proceedings (pp. 49–56). Kuala Lumpur: University of Malaya. (PDF Version).

Geiger-Ho, M. (2014). Guardians of a shifting cultural industry: Current worship rituals of Taiwan's pottery gods. The Asian Conference on Arts & Humanities 2014 Official Conference Proceedings (pp. 14–29). Osaka: The International Academic Forum. (PDF Version).

Geiger-Ho, M. (2013). Supporting art teachers and programs through the entrepreneurship of Bruneian college students in Brunei Darussalam. 9th Asia-Pacific Symposium on Music Education Research/Arts Education Conference 2013 Official Conference Proceedings (p. Art 04). Singapore: Ministry of Education & National Institute of Education. (PDF Version).

Geiger-Ho, M. (2013). Rewriting the Signpost: Memories of Misdirection. The Asian Conference on Arts & Humanities 2013 Official Conference Proceedings (pp. 37–46). Osaka: The International Academic Forum. (PDF Version).

Geiger-Ho, M. (1997). The content structure of raku ceramics in relation to DBAE components. Facing the Future: The Arts and Education in Hong (pp. 81–82). Hong Kong: Hong Kong Arts Development Council.

Monographs and Articles

Geiger-Ho, M., & Ho, K. (Ed.). (2017). Impact 2017: Art & design graduation exhibition. Brunei: UBD Impact 2017.

Geiger-Ho, M. (2017). About Impact. In. Brunei: UBD Impact 2017.

Geiger-Ho, M., & Ho, K. (Ed.). (2017). Unadulterated art exhibition. Hong Kong: Hong Kong Mural Society.

Geiger-Ho, M., & Ho, K. (2017). Statement. In Unadulterated art exhibition. Hong Kong: Hong Kong Mural Society.

Geiger-Ho, M., & Ho, K. (2016). Nurturing the creative industries in Brunei Darussalam as a form of cultural studies. South East Asia: A Multidisciplinary Journal, 16, 103–119. (PDF Version).

Geiger-Ho, M. (2015). Seeing Ulu Temburong through my third eye. In A slice of light: A stroke in time – Digital art & photography exhibition by Dr. Martie Geiger-Ho & Prof. Kong Ho (pp. 11–14). Brunei: Author.

Geiger-Ho, M. (2015). Exhibition statement. In A slice of light: A stroke in time – Digital art & photography exhibition by Dr. Martie Geiger-Ho & Prof. Kong Ho (pp. 11–14). Brunei: Author.

Geiger-Ho, M., & Ho, K. (2015). A slice of light: A stroke in time – Digital art & photography exhibition by Dr. Martie Geiger-Ho & Prof. Kong Ho. Brunei: Authors.

Geiger-Ho, M., & Ho, K. (2015). Preface. In Spectacle 2015: Art & design graduation show. Brunei: UBD Spectacle 2015.

Geiger-Ho, M., & Ho, K. (Eds.). (2015). Spectacle 2015: Art & design graduation show. Brunei: UBD Spectacle 2015.

Geiger-Ho, M. (2014). Mural•list•mania exhibition statement. In Mural•list•mania: Multimedia Art Exhibition (pp. 2–4). Hong Kong: Author.

Geiger-Ho, M. (2014). Artist's statement. In Mural•list•mania: Multimedia Art Exhibition (p. 9). Hong Kong: Author.

Geiger-Ho, M., & Ho, K. (Eds.) (2014). Spectacle 2014: Art & design graduation show. Brunei: UBD Spectacle 2014.

Geiger-Ho, M., & Ho, K. (Eds.) (2014). Mural•list•mania: Multimedia art exhibition. Hong Kong: Hong Kong Mural Society.

Geiger-Ho, M. (2012). Taking Another Look at the Transcending Culture and Space Mural. Community Mural Painting & Multimedia Art Installation Brochure, 7–8.

Geiger-Ho, M. (2012). Artist's Statement by Dr. Martie Geiger-Ho: New Directions in Art with Materials from the South China Sea. Community Mural Painting & Multimedia Art Installation Brochure, 13–14.

Geiger-Ho, M. (2009). Dr. Martie Geiger-Ho's Two Years of Production in Hong Kong: The Shangri-La Ceramics Collection. The Infinite Dimensions of Shangri-La: Paintings and Sculptures by Kong Ho & Dr. Martie Geiger-Ho Exhibition Brochure. Bradford, PA: Pennsylvania Council on the Arts.

Geiger-Ho, M. (2007). Foreword. Playing with Fire and Kiln Gods: The Ceramic Work of Martie Geiger-Ho, 5–14. Hong Kong: Self-published artist's monograph.

Geiger-Ho, M. (2002). Murals and the Art of Memories. 2001 Joint Schools Mural Exchange Exhibition Brochure, 3. Hong Kong: Hong Kong Mural Society.

Geiger-Ho, M. (2001). Preface. The Art of Fire: The Fifth Anniversary of Raku, 2. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (2001). Preface. 2000 Joint Schools Mural Exchange Exhibition Brochure, 3. Hong Kong: Hong Kong Mural Society.

Geiger-Ho, M. (2000). Preface. Contemporary Chinese & Hong Kong Ceramics Exchange Exhibition Brochure, 9. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1998). Kiln Guardians: Interpretations and Themes. Earthly Delights and Celestial Kiln Guardians: An Exhibition of Ceramic Sculptures and Raku Vessels, 4. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1998). Beyond Survival: One Studio’s Strategies For Raising Public Awareness and Appreciation of Hong Kong’s Struggling Visual Arts Scene, Conferência de Críticos de Arte Moderna de Macau, Hong Kong & China, 22–26. Macau: Macau International Visual Arts Center.

Geiger-Ho, M. (1998). Preface & Martie Geiger-Ho's Art. Counterparts: Five Studios One Door - Contemporary American & Hong Kong Art Exchange Exhibition Brochure, 2, 6–10. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1998). Preface. Hong Kong & Macau Raku Ceramics Exchange Exhibition Brochure, 2. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1998). Preface. Mythogenic Force – An Investigative Essay, & Harmony with Fire: Feng Shui and Kiln Gods, and Journey to the East: ‘98: Installation Art Exhibition Statement. Harmony with Fire: Feng Shui & Kiln Gods - Installation & Performance by Martie Geiger-Ho, 1–9, 14–21. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1997). Preface. Marvelous Color - Raku Ceramics: Project Brochure & Educational Guide, 1–18. Hong Kong: I-Kiln Studio.

Geiger-Ho, M. (1997). The Content Structure of Raku Ceramics in Relation to DBAE Components. Facing the Future: The Arts and Education in Hong Kong, 81–82. Hong Kong: Hong Kong Arts Development Council.

Geiger-Ho, M. (1996). Martie Geiger-Ho: Artist's Statement. Drawing on Inspiration: Martie Geiger-Ho & Kong Ho Mixed Media Exhibition, Hong Kong: Ho's Book.

Geiger-Ho, M. (1993). Foreword, Interview with Martie Geiger-Ho by Prof. Verne Funk, & The Marriage of Fire and Clay: The Story of Pottery. The Kiln Priestess and The Lore Of Fire, Hong Kong: Self-published artist's monograph.

Artworks reviewed in professional publications (selected)

2016 :
  • Tianjin Academy of Fine Arts. (2016). Shared Glory with Diversified Splendours: The Group Exhibition of ASEAN-China Academies of Fine Arts (pp. 1–3). Tianjin: Tianjin Academy of Fine Arts.
  • Poh-Chang Academy of Arts. (2016). 11th International Art Festival Workshop in Thailand 2016 (p. 13). Bangkok: Rajmangala University of Technology Rattanakosin.
2014 :
  • Institute of Asian Studies. (2014). Brochure cover and poster [Featuring Geiger-Ho's photo]. The Road Less Travelled – Workshop on Mobility in Southeast Asian Societies. Brunei: Educational Technology Centre.
2008 :
  • The Times-Tribune. (2008, Feb. 5). "Parallel" Lives: Husband and Wife Liken Art to Yin and Yang of Taoism [Featured Geiger-Ho's ceramics]. The Times-Tribune (Scranton). Life Styles C.
2005 :
  • Cantore, J. A. (2005). Of Earth, Water and Fire: Martie Geiger-Ho, Ph.D., Combines the Elements to Produce Beautiful Art [Review of Martie Geiger-Ho's ceramics]. Texas Techsan, 58(3), 24–31.
2004 :
  • The Post-Journal. (2004, Jan. 18). A New International Jamestown: JCC To Present 'Eastern and Western Fusion' [Featured Geiger-Ho's ceramics]. The Post-Journal. C1 & 3.
1999 :
  • Marie Claire. (1999, March). Mysterious Advantage [Featured Geiger-Ho's ceramics]. Marie Claire. (102), 54–59.
1998 :
  • Ainsley, R. (1998, Sept.). Kiln Lore [Review of Martie Geiger-Ho's ceramics], Today’s Living. (134), 28–32.
  • Home Journal. (1998, Oct.). Pottery Workshop [Featured Geiger-Ho's ceramics]. Home Journal. 32.
  • City Entertainment. (1998, Sept.). Earthly Delights & Celestial Kiln Guardians [Featured Geiger-Ho's ceramics]. City Entertainment. (507), 38.
  • McHugh, F. (1998, Sept. 6). In the Pot with a Spin of the Wheel [Featured Geiger-Ho's ceramics]. South China Sunday Morning Post, Lifestyle, 7.
  • Elle Decoration. (1998, April). Trend Watch, Spheres of Influence [Featured Geiger-Ho's ceramics]. Elle Decoration (49), 30.
1997 :
  • Hong Kong Arts Development Council. (1997). Art For The Masses [Featured Geiger-Ho's ceramics]. Newsletter, 12(3). 7–9. Hong Kong: Hong Kong Arts Development Council.
  • Moir, J. (1997, Aug. 24). Censors’ Fee Puts Artists Off Showing [Featured Geiger-Ho's ceramics]. Sunday Morning Post, 3.
  • Binks, H. (1997, Jan. 17). The Kiln Priestess [Featured Geiger-Ho's ceramics]. South China Morning Post, We View, 6.
1996 :
  • The Chautauquan Daily. (1996, July 18). Ceramist Makes an Art of Antiquity [Featured Geiger-Ho's ceramics]. The Chautauquan Daily, front page.
  • HK Magazine. (1996, May 31). Drawing on Inspiration [Featured Geiger-Ho's ceramics]. HK Magazine, 5(123)44, 12.
  • Twin Cities Journal. (1996, Jan. 12). Priestess' Sculptures Rule World Of Clay [Featured Geiger-Ho's ceramics]. Twin Cities Journal, Accent, 5.
1993 :
  • The Lawton Constitution. (1993, Oct. 29). Cultural Diversity On Display [Featured Geiger-Ho's ceramics]. The Lawton Constitution, Styles, 1-B.

Papers Presented

Geiger-Ho, M. (2017). Bowing to the creative industry: Making art a useful commodity. Asian Conference on the Arts and Humanities 2017. International Academic Forum (IAFOR), Kobe, Japan.

Geiger-Ho, M., & Ho, K. (2016). Developing the cultural and creative industries in Brunei Darussalam. Asian Arts Forum: "Asian Wings-Leaders" Summit for Higher Education in Arts. Taipei National University of the Arts & Asian League of Institutes of the Arts, Taipei, Taiwan.

Geiger-Ho, M. (2016). Nurturing the creative industries in Brunei Darussalam as a form of cultural studies. Brunei-Malaysia Forum 2016. University of Brunei Darussalam, Brunei.

Geiger-Ho, M. (2016). New ceramics out of Brunei Darussalam: A teaching exhibition. 6th Asian Conference on the Arts and Humanities. International Academic Forum (IAFOR), Kobe, Japan.

Geiger-Ho, M. (2015). Aesthetic ecopsychology as a way towards salvation. 2015 Prague International Academic Conference on Social Sciences. Global Academic Institute, Prague, Czech Republic.

Geiger-Ho, M. (2015). Practicing Ecopsychology in Brunei Darussalam: Creating Clay Vessels in Memory of a Disappearing Landscape. 6th Asian Conference on the Arts and Humanities. International Academic Forum (IAFOR), Osaka, Japan.

Geiger-Ho, M. (2014). Under the Influence of the "Great Mother" Archetype: Photographing Raw Clay Bruneian Landscapes Through an Ecofeminist Lens. 5th International Conference on The Image. Freie University Berlin, Berlin, Germany.

Geiger-Ho, M. (2014). Vessels of life and death: Heirloom jars of Borneo. Malaysia – Brunei Forum 2014. University of Malaya, Kuala Lumpur, Malaysia.

Geiger-Ho, M. (2014). Guardians of a shifting industry: Current worship rituals of Taiwan's pottery gods. 5th ASIAN Conference on Arts and Humanities, International Academic Forum (IAFOR), Osaka, Japan.

Geiger-Ho, M. (2013). China from the South China Sea: Shards of Remembrance, Workshop on Reframing the South China Sea: Towards a Mediterranean Understanding of Culture and Resources, Institute of Asian Studies, Universiti Brunei Darussalam, Brunei Darussalam.

Geiger-Ho, M. (2013). Supporting Art Teachers and Programs through the Entrepreneurship of Bruneian College Students in Brunei Darussalam, 9th Asia-Pacific Symposium on Music Education Research/Arts Education Conference, Ministry of Education & National Institute of Education, Singapore.

Geiger-Ho, M. (2013). Rewriting the Signpost: Memories of Misdirection. 4th ASIAN Conference on Arts and Humanities, International Academic Forum (IAFOR), Osaka, Japan.

Geiger-Ho, M. (2011). One Country Two Systems: Artistic Censorship in Hong Kong, China During and Since 1997. 40th Mid-Atlantic Region Association for Asian Studies Annual Conference, Princeton University, Princeton, New Jersey, U.S.A.

Geiger-Ho, M. (2010). China from the South China Sea: Collecting and Recontextualizing Ancient and Modern Ceramic Shards from Hong Kong's Diverse Shorelines. 39th Mid-Atlantic Region Association for Asian Studies Conference, Pennsylvania State University, State College, Pennsylvania, U.S.A.

Geiger-Ho, M. & Ho, S. K. (2010). Promotion of Inclusive Mural Painting in Global Art Education. 41st Annual Conference of Pennsylvania Council for International Education (PaCIE), Hilton Scranton & Conference Center, Scranton, Pennsylvania, U.S.A.

Geiger-Ho, M. & Ho, S. K. (2010). Mural Painting As Inclusive Art Learning. International VSA Education Conference, Grand Hyatt Washington, Washington DC, U.S.A.

Geiger-Ho, M. (2009). Disseminating Research on New Foshan Taoshi Zumiao (Pottery Master God Temple) to Those Outside of Foshan. 38th Mid-Atlantic Region Association for Asian Studies Conference, Villanova University, Villanova, Pennsylvania, U.S.A.

Geiger-Ho, M. (2005). Out of the Ashes: Reestablishing the Temple of the Porcelain Fire God in Jingdezhen, China. 34th Mid-Atlantic Region Association for Asian Studies Conference, University of Pittsburgh, Pittsburgh, Pennsylvania, U.S.A.

Geiger-Ho, M. (2009). Creating Access, Participation, and Progress. VSA arts Institute – Instructional Strategies: Building Skills for the Inclusive Classroom, The Crossings, Austin, Texas, U.S.A.

Geiger-Ho, M. (2001). Topical Leader for Topical Discussion Group on "Kiln Gods". 35th National Council on Education for the Ceramic Arts (NCECA) Annual Conference, Charlotte, North Carolina, U.S.A.

Geiger-Ho, M. (1998). Beyond Survival: One Studio’s Strategies For Raising Public Awareness and Appreciation of Hong Kong’s Struggling Visual Arts Scene. Conferência de Críticos de arte moderna de Macau, Hong Kong & China, Fundaçäo Oriente, Centro Interncional De Artes Visuais De Macau, Macau.

Geiger-Ho, M. (1997). The Content Structure of Raku Ceramics in Relation to DBAE Components. The Arts and Education in Hong Kong: An International Symposium. Hong Kong Convention and Exhibition Center, Wanchai, Hong Kong.

Solo Exhibitions

2017 :
  • Earth Trek Borneo: The Terraformation Series, A Solo Exhibition of Ceramics & Sculpture by Martie Geiger-Ho, Creative Space, Brunei Darussalam.
2016 :
  • New Ceramics Out of Brunei Darussalam: Dr. Geiger-Ho's Reconstructed Landscapes, FASS 1.89 Teaching Gallery, University of Brunei Darussalam, Brunei Darussalam.
2007 :
  • Playing with Fire and Kiln Gods: An Exhibition of Ceramic Sculptures by Dr. Martie Geiger-Ho, KOA Art Gallery, University of Pittsburgh at Bradford, Bradford, Pennsylvania, U.S.A.
2002 :
  • Well Rounded and Well Grounded: New Ceramic Works by Martie Geiger-Ho, Hanley Library Gallery, University of Pittsburgh at Bradford, Bradford, Pennsylvania, U.S.A.
2001 :
  • Ceramics by Martie Geiger-Ho, Hall Gallery, Mississippi University for Women, Columbus, Mississippi, U.S.A.
1998 :
  • Earthly Delights and Celestial Kiln Guardians - An Exhibition of Ceramics Sculptures by Martie Geiger-Ho, Exhibition Gallery, The Pottery Workshop, Central, Hong Kong.
  • Harmony with Fire: Feng Shui & Kiln Gods - Installation & Performance by Martie Geiger-Ho, Museum of Site (MOST), Yuen Long, Hong Kong.
1997 :
  • Kiln Gods: Ceramic Keepers of the Flame, Exhibition Hall, HK Visual Arts Center, Central, Hong Kong.
1996 :
  • The Beast and The Labyrinth of Fire, Gustavus Adolphus Schaefer Gallery, Gustavus Adolphus College, St. Peter, Minnesota, U.S.A.
1994 :
  • The Kiln Priestess and The Lore of Fire: M.F.A. Exhibition, Hall Gallery, Texas Tech University, Lubbock, Texas, U.S.A.
1993 :
  • The Labyrinth of Fire, Fine Arts Gallery, Western Texas College, Snyder, Texas, U.S.A.
1992 :
  • Beneath the Surface, Instructional Building Gallery, Odessa College, Odessa, Texas, U.S.A.
1991 :
  • Ceramic Masks and Raku Pottery, Leslie Powell Foundation/Gallery, Oklahoma, U.S.A.
1990 :
  • The Visitor, Carnegie Town Hall Library, Lawton, Oklahoma, U.S.A.
1989 :
  • The Kiln Priestess, Art Cellar Gallery, San Antonio, Texas, U.S.A.
1987 :
  • The Masked Serpent, ASA Small Gallery, University of New Mexico, Albuquerque, U.S.A.

Invitational & Group Exhibitions (selected)

2017 :
  • Emerge Exclusive Exhibition, Embassy of Republic of Turkey, Brunei Darussalam
  • Unadulterated Art Exhibition, UPV Art Gallery, University of the Philippines Visayas, Philippines.
2016 :
  • Shared Glory with Diversified Splendours: The Group Exhibition of ASEAN-China Academies of Fine Arts, Museum of Tianjin Academy of Fine Arts, Tianjin, China.
  • 11th International Visual Art Workshop and Exhibition, Poh-Chang Academy of Arts, Rajamangala University of Technology Rattanakosin, Bangkok, Thailand
2015 :
  • A Slice of Light: A Stroke in Time – Digital Art & Photography Exhibition by Dr. Martie Geiger-Ho & Prof. Kong Ho, UBD Student Centre, University of Brunei Darussalam, Brunei Darussalam.
  • International Art Moves (IAM) Exhibition: Brunei Calling, Kunstquartier Bethanien, Berlin, Germany.
2014 :
  • Mural•list•mania: Multimedia Art Exhibition, Exhibition Hall, Hong Kong Visual Arts Centre, Central, Hong Kong.
2013 :
  • Marine Debris Art Challenge (Online Exhibition), U.S. Department of State – Bureau of Oceans, International Environmental & Scientific Affairs. (Link).
  • 10th Annual Snap to Grid International Exhibit, Los Angeles Center for Digital Art, Los Angeles, California
  • Spectrum 2013: Brunei Art Forum Exhibition, Waterfront Art Gallery, Bandar Seri Begawan, Brunei Darussalam
2012 :
  • Transcending Culture and Space: Community Mural Painting & Multimedia Art Installation by Dr. Martie Geiger-Ho & Prof. Kong Ho, Part I: Jerudong International School Arts Centre, Part 2: UBD Student Centre, Universiti Brunei Darussalam, Brunei Darussalam
  • Visions of Brunei: A Cultural Free-to-All Visual Experience of Digital Hybrid Mural, 13.1'H x 19.7'W, Phase I: The Mall, Brunei; Phase II: UBD Student Center, Universiti Brunei Darussalam, Brunei Darussalam
  • Art Warisan, Heritage Seni, Waterfront Art Gallery, Bandar Seri Begawan, Brunei Darussalam
2011 :
  • Brunei Art Forum Art Exhibition, Waterfront Art Gallery, Bandar Seri Begawan, Brunei Darussalam
  • Stop, Look, Listen & Read: First Pitt-Bradford Faculty Arts Exhibition, University of Pittsburgh at Bradford, Pennsylvania, U.S.A.
  • Sketchbook Project, Art House Gallery, Atlanta, GA; 303 Grand, Brooklyn, NY; Brooklyn Art Library, Brooklyn, NY; Art and Shelter Gallery at The Salvation Army Alegria, Los Angeles, CA; Soulard Art Market, Saint Louis, Mo; & Home Gallery, Chicago, U.S.A.
2009 :
  • The Infinite Dimensions of Shangri-La: Paintings and Sculptures by Kong Ho & Dr. Martie Geiger-Ho, KOA Art Gallery, University of Pittsburgh at Bradford, Pennsylvania, U.S.A.
2008 :
  • Parallel Convergence: A Two Person Exhibition by Martie Geiger-Ho & Kong Ho, Linder Gallery, Keystone College, La Plume, Pennsylvania, U.S.A.
2006 :
  • Artists Space, Irving Sandler Artists File Online Exhibition, http://www.artistspace.org
2005 :
  • The Pottery Workshop 20th Anniversary Tutor Exhibition, Pottery Workshop, Central, Hong Kong.
  • Thanatopolis at I-Park: Memorial Projects Exhibition, I-Park, East Haddam, Connecticut, U.S.A.
  • I-Park Artists' Enclave 05 New Year Outdoor Art Exhibition, I-Park, East Haddam, Connecticut, U.S.A.
2004 :
  • Eastern and Western Fusion: Exploring Art, Philosophy, Myth, and Magic - Kong Ho, Yu Kanazawa & Martie Geiger-Ho, The Weeks Gallery, Jamestown Community College, Jamestown, New York, U.S.A.
  • I-Park Artists' Enclave 04 New Years Outdoor Art Exhibition, I-Park, East Haddam, Connecticut, U.S.A.
2002 :
  • MUW Art Faculty Exhibition, Part II, Wright Gallery, Delta State University, Cleveland, Mississippi, U.S.A.
  • MUW Art Faculty Exhibition, Part I, Eugenia Summer Gallery, Mississippi University for Women, Mississippi, U.S.A.
  • The Art of Fire: The Fifth Anniversary of Raku: Part II, Shatin Town Hall, Shatin, Hong Kong.
  • Mississippi University For Women Annual Art Faculty Exhibition, Eugenia Summer Gallery, Mississippi. University For Women, Columbus, Mississippi, U.S.A.
2001 :
  • The Art of Fire: The Fifth Anniversary of Raku: Part I, Hong Kong Central Library, Causeway Bay, Hong Kong.
  • Huzhi! Contemporary Chamber Pot Exhibition, Exhibited piece was included in a poster and exhibition catalogue, along with artist's statement, Pottery Workshop, Hong Kong.
  • Heart’s Desire: Charitable Exhibition and Auction, Fine Arts Gallery, Buddy Holly Center, Texas, U.S.A.
2000 :
  • Clay. Form. Content Part I– Joint Exhibition of Contemporary Ceramic Society (HK), Art Gallery, Hong Kong Institute of Education, Taipo, Hong Kong.
  • Clay. Form. Content Part II– Joint Exhibition of Contemporary Ceramic Society (HK), Exhibition Hall, Hong Kong Visual Arts Center, Central, Hong Kong.
  • The Pottery Workshop 15th Anniversary Exhibition, The Pottery Workshop, Central, Hong Kong.
  • Contemporary Chinese & Hong Kong Ceramics Exchange Exhibition Part I, Exhibition Hall, Hong Kong Visual Arts Center, Central, Hong Kong.
  • Contemporary Chinese & Hong Kong Ceramics Exchange Exhibition Part II, Exhibition Hall, Guangdong Museum of Art, Guangzhou, China.
  • Ph.D. Student Art Exhibition, The Landmark South Gallery, Texas Tech University, Lubbock, Texas, U.S.A.
1999 :
  • Counterparts: Culture and Vision I – Contemporary American & Hong Kong Art Exchange Exhibition, Fine Arts Gallery, Western Texas College, Snyder, Texas.
  • Counterparts: Culture and Vision II – Contemporary American & Hong Kong Art Exchange Exhibition, Exhibition Gallery, Midland College, Texas, U.S.A.
  • Counterparts: Culture and Vision III – Contemporary American & Hong Kong Art Exchange Exhibition, Exhibition Gallery, Hardin Simmons University, Abilene, Texas, U.S.A.
1998 :
  • New Works, The Landmark Gallery, Landmark Arts, Texas Tech University, Lubbock, Texas, U.S.A.
  • Counterparts: Five Studios One Door – Contemporary American & Hong Kong Art Exchange Exhibition, Exhibition Hall, Hong Kong Visual Arts Center, Central, Hong Kong.
  • Nigata and Hong Kong Kimono Art Exchange Exhibition, Exhibition Hall, Nigata Exhibition Center, Nigata, Japan.
  • The Retelling of Drawing - by Twelve Hong Kong Woman Artists, Exhibition Hall, Hong Kong Visual Arts Center, Central, Hong Kong.
  • Unity In Diversity (Part III), Exhibition Hall, Guangdong Museum of Art, Guangzhou, China.
  • Hong Kong & Macau Raku Ceramics Exchange Exhibition, Exhibition Hall, Certro de Actividades Juvenis, Macau.
  • Journey to the East ‘98: Installation Art Exhibition, Exposition Hall, HKUST Center for the Arts, The Hong Kong University of Science & Technology, Clear Water Bay, Hong Kong.
  • Unity In Diversity (Part II), The Pottery Workshop, Central, Hong Kong.
  • Compulsory Art, Exhibition Hall, Hong Kong Visual Arts Center, Central, Hong Kong.
1997 :
  • Unity In Diversity (Part I), Manitoba Crafts Council Gallery, Winnipeg, Canada.
  • Marvelous Color – Raku Ceramics Exhibition, Exhibition Hall, HK Visual Arts Center, Hong Kong.
  • Flash Point: ] i-Kiln [, I-Kiln Studio Ceramic Faculty Exhibition by Chan Kam Shing & Martie Geiger-Ho, Exhibition Hall, Shaw College Lecture Theatre, The Chinese University of Hong Kong, Shatin, Hong Kong.
  • Hong Kong Arts Center Tutors’ Exhibition ‘97, Pao Galleries, HK Arts Center, Hong Kong.
  • T-Shirt Exhibition, Exposition Hall, Hong Kong University of Science and Technology, Hong Kong.
  • The Pre-97 Hong Kong History Museum, Pao Galleries, Hong Kong Arts Center, Wanchai, Hong Kong.
  • Museum of Personal Histories, Pao Galleries, Hong Kong Arts Center, Wanchai, Hong Kong.
  • Good is Good But Sometimes Bad is Badder Better, Fringe Gallery and Dragon's Back Gallery, Fringe Club, Central, Hong Kong.
1996 :
  • Chautauqua School of Art Summer Faculty Exhibition, Chautauqua School of Art, New York, U.S.A.
  • Drawing on Inspiration: Martie Geiger-Ho & Kong Ho Mixed Media Exhibition, Part I: Hui Gallery, The Chinese University of Hong Kong, Hong Kong.
  • Drawing on Inspiration: Martie Geiger-Ho & Kong Ho Mixed Media Exhibition, Part II: Heineken Gallery, Fringe Club, Hong Kong.
1995 :
  • Chautauqua School of Art Summer Staff Exhibition, Chautauqua School of Art, New York, U.S.A.
1994 :
  • Lubbock Invitational, Lubbock Fine Arts Center, Lubbock, Texas.
  • Women Work: On and Off Paper, Leslie Powell Foundation/Gallery, Lawton, Oklahoma, U.S.A.
1993 :
  • Echoed Voices, Fine Arts Museum, Carlsbad, New Mexico, U.S.A.
  • The Great Big Little Show, Lubbock Fine Arts Center, Lubbock, Texas, U.S.A.
  • Echoed Voices, Fine Arts Gallery, South Plains College, Levelland, Texas, U.S.A.
  • Replies to Unanswered Questions, University Gallery, Cameron University, Oklahoma, U.S.A.
1992 :
  • National Journal/Sketchbook Exhibition, University Gallery, Cameron University, Oklahoma, U.S.A.

Juried Exhibitions (selected)

2014 :
  • Pop-Up Exhibition: On The Image, presented by the International Conference on the Image, Yorck Studios, Berlin, Germany.
2005 :
  • National Women’s Exhibition, Impact Artists’ Gallery, Buffalo, New York, U.S.A.
2004 :
  • 2004 Kiln God National Juried Exhibition, Chicken Farm Art Center, San Angelo, Texas, U.S.A.
2001 :
  • Origins In Clay II - A National Juried Exhibition, Art Gallery, The University of Texas at San Antonio, Texas, U.S.A.
  • 2001 Electronic Gallery Membership Exhibit - NAEA Annual Juried Exhibition, NAEA Convention, New York City, U.S.A.
  • Faces of Woman Juried Art Exhibition, Las Vegas Arts Council, Las Vegas, New Mexico, U.S.A.
2000 :
  • Midland Arts Association 23rd Annual Fall Juried Art Exhibition, McCormick Gallery, Texas, U.S.A.
1994 :
  • Lubbock Arts Festival Gallery, Lubbock Memorial Civic Center, Lubbock, Texas, U.S.A.
1993 :
  • Oklahoma: Centerfold, Leslie Powell Foundation/Gallery, Lawton, Oklahoma, U.S.A.
  • Running Water Draw Gallery Exhibition, Ollie Liner Center, Plainview, Texas, U.S.A.
  • Eighth Annual San Angelo National Ceramic Competition, San Angelo Museum of Fine Arts, San Angelo, Texas, U.S.A.
  • Lubbock Arts Festival XV, Gallery of the 1993 Lubbock Arts Festival, Lubbock Memorial Civic Center, Lubbock, Texas, U.S.A.
1991 :
  • Oklahoma: Centerfold, Leslie Powell Foundation/Gallery, Lawton, Oklahoma, U.S.A.
1990 :
  • Fifth Annual Erotic Art Exhibition, IAO Gallery, Oklahoma City, Oklahoma, U.S.A.
1988 :
  • Visions of Excellence, State Fair Fine Arts Gallery, Albuquerque, New Mexico, U.S.A.
1987 :
  • New Mexico '87, The Museum of Fine Arts, Santa Fe, New Mexico, U.S.A.
  • Night Screams/Day Dreams, Galeria Mesa, Arizona, U.S.A.
  • Wood/Fiber/Clay, Coconino Center for the Arts, Flagstaff, Arizona, U.S.A.
  • Clay in '87, University Art Museum, University of New Mexico, Albuquerque, New Mexico, U.S.A.
1986 :
  • Yellowstone Area Ceramic Show, West Park Plaza, Billings, Montana, U.S.A.

Performance Work

2001 :
  • New Spirits and New Beginnings, solo performance for the as part of the festivities of the installation of new kilns at the San Angelo Museum of Art, San Angelo, Texas, U.S.A.
1998 :
  • Earthbound Deities: Kiln Guardians and The Potters’ Fire, solo performance piece based on transformation symbolism and the primordial Great Mother, Exhibition Hall, Hong Kong Visual Arts Center, Hong Kong.
  • Kiln Guardians and The Potters’ Fire: Part I, studio of Mr. Chen Yong Qiang, Guangdong, China.
  • Harmony with Fire, solo performance piece generated from a synthesis of traditional ceramic making processes and Jungian concepts about transformation and the primordial Great Mother. The performance provided viewers with the opportunity to witness a modern interpretation of a sacred feminine mystery rite, Museum of Site (MOST), Yuen Long, Hong Kong.
1997 :
  • Feng Shui & Kiln Gods, solo performance piece combining story telling and ceremonial kiln rites for raku, Open Terrace, I-Kiln Studio, Prince Edward, Hong Kong.